Haight-Ashbury Counterculture Walk

The house at seven hundred ten Ashbury Street is a plain, three-story Victorian with a modest bay window and a front door painted purple. In the spring of nineteen sixty-seven, Janis Joplin and the members of the Grateful Dead lived here.…

Six hundred thirty-five Ashbury Street is a Victorian townhouse with a dark gray exterior and a distinctive bay window that hangs over the sidewalk. In the nineteen sixties, Janis Joplin lived here, often sitting on the front steps with a…

The intersection of Haight and Ashbury features a pair of Victorian storefronts with rounded corner entrances, painted in bright, contrasting colors. In the spring of nineteen sixty-seven, these corners anchored the Summer of Love. A local…

The three-story building at fifteen twenty-four Haight Street features a distinct, rounded corner bay that stands out from the flat faces of its neighbors. In nineteen sixty-six, this address housed the Psychedelic Shop, the first retail…

The Panhandle stretches eight blocks as a narrow, forested strip of green that separates the Haight-Ashbury neighborhood from the Western Addition. It was originally laid out in the eighteen seventies as a formal buffer zone to protect the…

The storefront at seventeen thirty-five Haight Street features a modest, weathered facade that separates it from the neighboring Victorian buildings. In nineteen sixty-seven, David Smith, a young doctor, opened the Haight-Ashbury Free…

The wide, grassy slope rising above the intersection of Kezar Drive and Bowling Green Drive marks the original epicenter of the nineteen sixties counterculture in San Francisco. Thousands gathered here during the Summer of Love to listen…

The Victorian house at the corner of Fulton and Willard is painted a deep, matte black. It served as the commune and headquarters for the rock band Jefferson Airplane during the late nineteen sixties. While neighbors complained about the…